My latest story for Studio 360 has taken me a while to share, but that is because there’s so much to say about it. This story had a story from start to finish.
It began when I started emailing a few of my favorite artistically-minded scientist types searching for ideas for a new pitch to Studio 360. My former neighbor Zack Booth Simpson, who was actually a subject for a previous story, told me to take a look at the Mars Curiosity animation. He said he couldn’t stop watching it.
As I say in the story, I am not crazy about space. But this video blew me away. My editor was interested, and I set to finding out who was responsible. The trail led to Kevin Lane, the owner of a small animation studio in Burbank, California.
The most awesome part of the story comes next: I flew out to LA to visit the studio and NASA’s Jet Propulsion Laboratory, which is responsible for all unmanned space missions and arguably my favorite NASA base. (I also learned that JPL is not really NASA, just contracted to NASA, and they are quite sensitive about that.)
I came away with SO MUCH GOOD TAPE. I think you have to be a producer to know how that feels. You record data into your little box and you feel like you would find gold inside if you opened it up.
Doug Ellison, the visual producer at JPL, was so incredibly animated and knew how to turn a phrase about space travel like no other. (“A GIANT MARTIAN BACKPACK!”) Tom Rivellini, one of the EDL scientists, was remarkably down-to-earth (pun) about the realities of getting to Mars. (Although I can still hear him chewing his strawberry Twizzlers as he talks.) And Kevin and his team of animators talked to me for two hours about the ins and outs of animating, and off camera told me some absolutely crazy tales about the animation industry. (Involving hookers and blow and outsourcing to Chinese animation students who worked for free.)
Sadly, the hookers and blow studio boss story was off the record and the whole thing had to fit into eight minutes. My editor, David Krasnow, was wonderful to work with as always and made taking those moments of genius out a little less painful, because he is always right.
This story also brought about two of the more surreal moments of my life: The first, being caught stealing electricity from a stranger’s garage as a car was pulling in. My phone was dead after a day of traveling and JPL and I couldn’t find the house where I was staying. Luckily the owner of the car was understanding and let me charge up from his own iPhone cord.
The second, trying to calm a young suicidal driver that I stopped for as I was biking to KUT to voice this story. I don’t want to go in detail, but it was really intense and traumatic and I burst into tears as soon as I saw the studio engineer. One of the things I’m most proud of about this story is pulling it together and sounding normal.