My friend Ashley Milne-Tyte’s recent blog post has been attracting attention in public radio circles in the past week or so. It addresses, straight-on, what is almost a taboo subject: The fact that you can’t make a living as an independent producer.
I’m secretly proud to have contributed (via Facebook chat) what has become the catchphrase of the post: It’s radio’s dirty little secret.
The post was triggered by Ashley’s experience at the Third Coast Audio Festival, a bi-annual conference that celebrates independently produced work, and where many people from the Association of Independents in Radio (AIR) meet up.
I found it hard to sit there applauding at the idea that AIR has so many more members, when a lot of these members will be 20-somethings who will find it very hard to make anything more than $200-$700 a story, depending on the outlet and the ‘tier’ of pay the outlet decides the producer deserves.
If you do the math (and I don’t, both because I’m scared of numbers and the results of said math), you might end up making minimum wage or less on a radio story. That’s because it’s the nature of us public radio folks to make the best work we can, regardless of pay. You can’t charge for getting an interview that wasn’t originally discussed, or invoice extra for a second edit on your story. Or you might end up making nothing, like Ashley does on her high quality podcast, The Broad Experience.
I’ve been complacent about pay. For me, making radio is a luxury. I knew when I left my steady radio job that freelancing alone wasn’t going to pay the bills. I once accepted $200 for an 8 minute story just because I’d wanted to do the story for so long. There’s a priceless value for me in reporting a story and getting it on air.
But I do wonder why we’re not more up front about the fact that it doesn’t pay very well. In a way, it’s the same ethical dilemma all across journalism: Should we tell j-school students that they probably won’t find a newspaper job? That more likely, they’ll be blogging on a crappy website for nickels? It’s not such a bright and shiny future if you aren’t willing to be creative about it. I feel lucky to have found life stories, and learned not to put all my career eggs in one shrinking basket.